Frames – Phone Calls
Single Frames Click on the “i” icon in the lower right hand corner of any frame for more info on the shot. Groups of Frames BlacKkKlansman (2018) DP: Chayse Irvin […]
Single Frames Click on the “i” icon in the lower right hand corner of any frame for more info on the shot. Groups of Frames BlacKkKlansman (2018) DP: Chayse Irvin […]
Single Frames
Click on the “i” icon in the lower right hand corner of any frame for more info on the shot.
Groups of Frames
BlacKkKlansman (2018)
DP: Chayse Irvin
Director: Spike Lee
Format: 35mm
Cameras: Panaflex Millennium XL2, Arricam Lite, Aaton Penelope
Lenses: Spherical; Zeiss Super Speeds MKII, Zeiss Master Primes, Panavision Ultra and Super Speeds, Panavision PVintage
Film Stocks: Kodak Vision3 250D 5207 (used for day interiors/exteriors), Kodak Vision3 500T 5219 (for night interiors/exteriors)
Each group of frames features set-ups from a different phone scene.
Ozark Season 3 (2020)
Cinematographers: Armando Salas, Ben Kutchins, and Manuel Billeter
Directors: Jason Bateman; Cherien Dabis; Amanda Marsalis; Ben Semanoff; Alik Sakharov
Aspect Ratio: 2.2:1
Camera: Sony Venice
Lenses: Leica R; Leica Summicron-C; Leica Noctilux-M 50mm
Format: Digital; Large format sensor
Better Call Saul Season 1 (2015)
DP: Arthur Albert
Camera: Red Epic Dragon
Lenses: Zeiss Standard Speeds and Arri Master Primes
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