Frame by Frame – Iron Man (2008)

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Year – 2008
Decade – 2000s
Cinematographer – Matthew Libatique (imdb link)
Director – Jon Favreau
Aspect Ratio – 2.40
Distributor – Paramount; Marvel
Genre – Action; Super Hero
Cameras – Panaflex Millennium; Millennium XL; PanArri 235
Lenses (spherical) – Panavision Primos, Angenieux Optimo zooms (17-80mm T2.2 and 24-290mm T2.8), and Cooke CXX 15-40mm T2 zoom
Format –  35mm; Super 35
Film Stocks – Kodak Vision2 200T 5217, Kodak Vision2 500T 5218; Printed on Kodak Vision 2383
Production schedule – 96 days
Additional Reading – May 2008 issue of American Cinematographer magazine

Categories – Inserts; Mixed Color Temperatures; Two Shots; Eye Lights; Close-ups; Full Shots; Foreground/Background; Reflections; Frames Within a Frame; Color – Red

The Movie
A hedonistic arms dealer (Robert Downey Jr.) develops a conscience – and an impenetrable flying suit powered by a fusion reactor – in this Iron Man origin story that served as the launching pad for Marvel’s interconnected 22-film series dubbed the “Infinity Saga.”

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Frames

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Annotated Frames

Click on the shots below for “making of” notes from Iron Man.

Sources
May 2008 issue of American Cinematographer magazine
Super Hero Hype
Rotten Tomatoes

Posted on November 19, 2020 0 By mattmulcahey Frame By Frame Posted in Frame By Frame Tagged #frames 2.39, frames 2000s, frames 2008, frames 35mm, frames action, frames angeniuex optimo, frames cooke cxx zoom, frames jon favreau, frames Kodak Vision2 200T 5217, frames Kodak Vision2 500T 5218, frames marvel, frames matthew libatique, frames panaflex millennium, frames panavision primo, frames paramount, frames super 35, frames super hero, iron man, iron man behind the scenes, iron man concept art, Jon Favreau, Matthew Libatique, panaflex millennium xl

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