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mattmulcahey

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Frame By Frame – The Long Hot Summer (1958)

Year – 1958 Decade – 1950s Cinematographer – Joseph LaShelle Director – Martin Ritt Genre – Drama; Romance Distributor – 20th Century Fox Aspect Ratio – 2.35 Lenses – Anamorphic […]

By mattmulcahey Posted on July 16, 2022

Interviews 0

The Black Phone cinematographer Brett Jutkiewicz

“I actually still use my light meter on everything….Being part of that transition from film to digital, I still can’t let it go and totally trust the monitor.”  Less than […]

By mattmulcahey Posted on July 14, 2022

Interviews 0

Elvis cinematographer Mandy Walker

New interview for my column at Filmmaker Magazine with Elvis cinematographer Mandy Walker. Shot on Alexa 65, with Panavision Spheros for the pre-Vegas portion of the film and Panavision T-Series […]

By mattmulcahey Posted on July 1, 2022

Interviews 0

Hustle cinematographer Zak Mulligan

New interview up at Filmmaker Magazine with Hustle DP Zak Mulligan. The Netflix film stars Adam Sandler as a burned out Philadelphia 76ers scout who discovers a raw talent (pro […]

By mattmulcahey Posted on June 29, 2022

Interviews 0

Cinematographer Andrew Droz Palermo on Moon Knight

“I really like that sodium vapor look that is kind of fading. Everyone is moving to LEDs at this point, so this felt like a final hurrah for sodium vapor.” […]

By mattmulcahey Posted on June 16, 2022

Interviews 0

Cinematographer Caleb Heymann on Stranger Things Season 4

“You’re kind of questioning, ‘Does this look too much like a shitty old ’90s music video?’ – Cinematographer Caleb Heymann on leaning into a retro horror vibe for the A […]

By mattmulcahey Posted on June 9, 2022

Frame By Frame 0

Frame By Frame – Electra Glide in Blue (1973)

Year – 1973 Decade – 1970s Cinematographer – Conrad L. Hall Director – James William Guercio Aspect Ratio – 2.39 Distributor – United Artists Genre – Drama Lenses – Panavision […]

By mattmulcahey Posted on June 3, 2022

Interviews 0

Cinematographer Larkin Seiple on Everything Everywhere All at Once

“A messy but fun way to make something very stupid but very beautiful.” Check out my interview with Everything Everywhere All at Once cinematographer Larkin Seiple over at Filmmaker Magazine. […]

By mattmulcahey Posted on May 26, 2022

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