Prey cinematographer Jeff Cutter
I talked with Jeff Cutter, DP of the new Predator prequel Prey, about dodging bears in the wilds of Calgary, creating the predators’ heat vision and cloaking effects, and reteaming […]
Marcel the Shell with Shoes On cinematographers Bianca Cline and Eric Adkins
“Filming a character who has to be seven or eight inches from the lens adds a whole bunch of complications.” New interview up for Filmmaker Magazine with Marcel the Shell […]
The Black Phone cinematographer Brett Jutkiewicz
“I actually still use my light meter on everything….Being part of that transition from film to digital, I still can’t let it go and totally trust the monitor.” Less than […]
Elvis cinematographer Mandy Walker
New interview for my column at Filmmaker Magazine with Elvis cinematographer Mandy Walker. Shot on Alexa 65, with Panavision Spheros for the pre-Vegas portion of the film and Panavision T-Series […]
Hustle cinematographer Zak Mulligan
New interview up at Filmmaker Magazine with Hustle DP Zak Mulligan. The Netflix film stars Adam Sandler as a burned out Philadelphia 76ers scout who discovers a raw talent (pro […]
Cinematographer Andrew Droz Palermo on Moon Knight
“I really like that sodium vapor look that is kind of fading. Everyone is moving to LEDs at this point, so this felt like a final hurrah for sodium vapor.” […]
Cinematographer Caleb Heymann on Stranger Things Season 4
“You’re kind of questioning, ‘Does this look too much like a shitty old ’90s music video?’ – Cinematographer Caleb Heymann on leaning into a retro horror vibe for the A […]
Cinematographer Larkin Seiple on Everything Everywhere All at Once
“A messy but fun way to make something very stupid but very beautiful.” Check out my interview with Everything Everywhere All at Once cinematographer Larkin Seiple over at Filmmaker Magazine. […]
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