The Film: The Final Girls
The Cinematographer: Elie Smolkin
The Tools: Shot on the Red Epic with short Angenieux zooms and Cooke S4 lenses
The Plot: On the one-year anniversary of her Scream Queen mother’s death, a young woman (Taissa Farmiga) and her friends are transported into her mom’s most famous movie – a campy camp slasher à la The Burning.
The deconstruction of the 1980s slasher film began before the corpse of the short-lived subgenre was even cold. Student Bodies (1981) started digging the grave. Scream (1996) and The Cabin in the Woods (2012) disinterred the body and scattered the pieces.
So why tune in for another poke at the carcass of the stalk-and-slash flick? Because The Final Girls is more than just another mocking of the slasher film’s “sin equals death” conservatism.
It’s a PG-13 comedy that captures the spirit of the “dead teenager” movie without the gruesomeness. It’s a visually inventive delight that, rather than emulating the look of Friday the 13th, presents its alternative reality as a Technicolor world awash in purples and hyper-saturated greens. And, most importantly, it has a heart at its center thanks to an emotional turn from Farmiga as the grieving daughter.
The Final Girls cinematographer, Elie Smolkin, broke down a few shots from the film for us.
Check out other interviews in the Five Frames series here. Continue Reading ›