Deep Fried Interview: Beneath cinematographer Gordon Arkenberg
Director Larry Fessenden has yet to find a horror subgenre – no matter how conventional or disreputable – that he can’t twist into a personal treatise on the foibles of […]
Deep Fried Interview: Oculus colorist Corinne Bogdanowicz
Armed with an array of video cameras, a pair of siblings spends a night in their childhood home intent on proving an ornate, centuries-old mirror is haunted. That’s the premise […]
Deep Fried Interview: The art of Gary Pullin
From Mondo to Arrow Video, Rue Morgue to Waxwork Records, if there’s an entity currently birthing unique original genre artwork into the world you can almost guarantee “Ghoulish” Gary Pullin […]
Deep Fried Interview: Nurse 3D cinematographer Boris Mojsovski
The inspiration for Nurse 3D harkens back to the golden age of exploitation movies, when carnival barkers like American International Pictures dreamed up provocative titles and lurid posters…and then penned […]
Deep Fried Interview: Return to Nuke ‘Em High cinematographer Justin Duval
Troma, that New York-based bastion of unabashed bad taste, has been around for nearly 40 years, but the studio remains best known for a pair of mid-1980s movies that mixed […]
Deep Fried Interview: Haunter cinematographer Jon Joffin
A movie set entirely inside a single suburban house might not seem as if it would present much of a challenge for a cinematographer. But Haunter is no ordinary single-location […]
Deep Fried Interview: Patrick cinematographer Garry Richards
During their decade-plus of making music videos together, Australian director Mark Hartley and cinematographer Garry Richards always hoped for the chance to make a feature. One that paid homage to the Gothic […]
Deep Fried Interview: Birth of the Living Dead director Rob Kuhns
The making of George Romero’s paradigm-shifting horror film Night of the Living Dead was an exercise in perseverance. The movie’s 30-day shooting schedule was spread out over seven months, with the majority taking […]
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