I Know This Much Is True is a decades-spanning, tragedy-laden emotional ravaging and then catharsis about coming to terms with the shortcomings of ourselves, our families and country, and the healing […]
With movie theaters across the globe shuttering, Universal is making three of its current theatrical releases – Emma, The Hunt, and The Invisible Man – available on demand starting today […]
New interview up over at Filmmaker Magazine – Dark Crystal: Age of Resistance cinematographer Erik Wilson. The 10-episode prequel to the 1982 film was shot over 180 days using Cooke […]
Once Upon a Time In Hollywood DP Robert Richardson gets philosophical about the art of film projection, the beautiful failures of old lenses, and how we will all end up […]
In my newest interview for Filmmaker Magazine, Panavision Senior Vice President of Optical Engineering Dan Sasaki talks being a second-generation member of the Panavision family, the storied history of the […]
My talk with Midsommar cinematographer Pawel Pogorzelski is now up on Filmmaker Magazine. The folk horror tale re-teams Pogorzelski and his Hereditary director Ari Aster. Shot on the Panavision DLX2 with […]
The latest entry in my Shutter Angles column for Filmmaker Magazine is a chat with Us cinematographer Mike Gioulakis. Shot on Arri/Zeiss Master Primes with an emphasis on practical effects, […]
The filmmaking tandem of Kevin Kölsch and Dennis Widmyer (the team behind Starry Eyes) talk about their new version of Pet Sematary in my latest piece for Filmmaker Magazine. Here’s […]
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