Cinematographer Rachel Morrison talks Mudbound

Mudbound frame grabs

Check out my Filmmaker Magazine interview with Rachel Morrison regarding her work on Netflix’s Mudbound. Set in post-World War II rural Mississippi, Mudbound was shot on Alexa Minis using Panavision PVintage spherical lenses and Panavision B, C, and D series anamorphic glass.

Continue onward for a few set pics and a snippet from the interview in which Morrison breaks down the pros and cons of working with film vs. digital. Continue Reading ›

Set stills from David Lowery’s A Ghost Story

Banner photo courtesy of A Ghost Story cinematographer Andrew Droz Palermo

Put together a few behind the scene pics from A Ghost Story, a rumination on mortality, time, and humanity’s place in the cosmos from writer/director David Lowery (Ain’t Them Bodies Saints, Pete’s Dragon).

Check out this interview I did with the movie’s cinematographer Andrew Droz Palermo for Filmmaker Magazine. I also highly recommend American Cinematographer Magazine’s feature on the film from the August issue.

Tech Info
Aspect Ratio: 1.33
Camera: Arri Alexa Mini (2.8K ProRes, 4:3 mode)
Lenses: Panavision Super Speeds and Ultra Speeds, Panavision Primo Zooms