Work by Italian masters Luigi Martinati and Rodolfo Gasparri highlight this collection of art from around the globe for Alfred Hitchcock’s Strangers on a Train (1951). Based on the debut novel of Patricia Highsmith, who went on to write The Talented Mr. Ripley and The Price of Salt, which served as the basis for Todd Haynes’ film Carol.
(Above) The cover to a Psycho (1960) pressbook supplement titled “The Care and Handling of Psycho,” which emphasizes the William Castle-esque gimmick that no one – “not even the manager’s brother” – will be allowed into a screening after the film has begun.
The French release poster for Alfred Hitchcock’s Dial M for Murder (1954) bears no mention of the film’s 3D origins. Originally shot as a “deepie,” after a brief preview run in 3D the film’s release was shifted to “flat.”
Below are Hitchcock’s thoughts on the 3D process, from an issue of Prevue magazine. This image comes from 3D Film Archive, which offers an extensive history of the film’s production and release.
Deep Fried Links is a new feature I’m going to try to roll out weekly to share a few interesting nuggets from around the world wide web. This is never going to be the place you come for breaking news about Batman casting, but it will be a useful resource to discover stories you might have missed.
For the inaugural post, we’ve got new books about Wes Anderson and the cult film The Room, a NY Times interview with Carrie director Kimberly Pierce, movie lists courtesy of Quentin Tarantino and Robert Rodriguez and an ode to the “O” face from Lars von Trier. Plus much more. (Continue reading) Continue Reading ›