Scream VI cinematographer Brett Jutkiewicz
“What’s interesting about Ghostface is that once the character is in the costume, they kind of cease to be themselves and just become Ghostface. We talked a lot about that. […]
Black Panther: Wakanda Forever cinematographer Autumn Durald Arkapaw
New story for Filmmaker Magazine on Black Panther: Wakanda Forever cinematographer Autumn Durald Arkapaw, who shifted the series to anamorphic glass and large format cameras for the sequel. Check out […]
All Quiet on the Western Front cinematographer James Friend
“We spent a lot of time staring at the clouds and waiting for a bit of soft light and a bit of consistency. My gaffer would shout at me, “I’m […]
The Menu cinematographer Peter Deming
I’ve got a new interview up over at Filmmaker Magazine with DP Peter Deming (Evil Dead II, Mulholland Drive, The Cabin in the Woods, House Party). Check out the full […]
Pearl cinematographer Eliot Rockett
“Either it Blows Up or it Doesn’t.” – New interview for my Filmmaker Magazine column with Pearl cinematographer Eliot Rockett Rockett, a longtime Ti West collaborator (X, The Innkeepers, The House […]
Prey cinematographer Jeff Cutter
I talked with Jeff Cutter, DP of the new Predator prequel Prey, about dodging bears in the wilds of Calgary, creating the predators’ heat vision and cloaking effects, and reteaming […]
Marcel the Shell with Shoes On cinematographers Bianca Cline and Eric Adkins
“Filming a character who has to be seven or eight inches from the lens adds a whole bunch of complications.” New interview up for Filmmaker Magazine with Marcel the Shell […]
The Black Phone cinematographer Brett Jutkiewicz
“I actually still use my light meter on everything….Being part of that transition from film to digital, I still can’t let it go and totally trust the monitor.” Less than […]
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