I’ve got a new interview up over at Filmmaker Magazine with freshly-minted Emmy winner Greig Fraser. The Mandalorian cinematographer walked me through using new StageCraft tech – a greenscreen alternative […]
I Know This Much Is True is a decades-spanning, tragedy-laden emotional ravaging and then catharsis about coming to terms with the shortcomings of ourselves, our families and country, and the healing […]
With movie theaters across the globe shuttering, Universal is making three of its current theatrical releases – Emma, The Hunt, and The Invisible Man – available on demand starting today […]
New interview up over at Filmmaker Magazine – Dark Crystal: Age of Resistance cinematographer Erik Wilson. The 10-episode prequel to the 1982 film was shot over 180 days using Cooke […]
Once Upon a Time In Hollywood DP Robert Richardson gets philosophical about the art of film projection, the beautiful failures of old lenses, and how we will all end up […]
My talk with Midsommar cinematographer Pawel Pogorzelski is now up on Filmmaker Magazine. The folk horror tale re-teams Pogorzelski and his Hereditary director Ari Aster. Shot on the Panavision DLX2 with […]
The latest entry in my Shutter Angles column for Filmmaker Magazine is a chat with Us cinematographer Mike Gioulakis. Shot on Arri/Zeiss Master Primes with an emphasis on practical effects, […]
Here’s my interview with Green Book director of photography Sean Porter (Green Room, 20th Century Women) from Filmmaker Magazine. This is actually my 100th interview piece for Filmmaker – all […]
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