The Film: Bone Tomahawk
The Cinematographer: Benji Bakshi
The Tools: Shot on Red Epic Dragon
The Plot: In this western, four disparate men (sheriff Kurt Russell and deputy Richard Jenkins, accompanied by Patrick Wilson and Matthew Fox) embark on a rescue mission to retrieve Wilson’s wife from a tribe of cannibalistic cave dwellers.
Further Reading: Check out my interview with Bone Tomahawk director S. Craig Zahler for Filmmaker Magazine.
How was your experience with the Red Epic Dragon?
Benji Bakshi: The Dragon was a serious improvement from previous models. Color was much more accurate and the latitude has improved, which was essential for our day exteriors. As always I tend to underexpose with Red, which gives more room in the highlights. The Dragon was improved in the shadows as well versus previous models, but in testing I saw noise at the toe. Knowing we intended to ride the edge of darkness, I set up a LUT to crush the shadows, which forced me to put light there. On set sometimes people would mention it was very dark, but I knew when the LUT was removed it would reveal lots of detail in the shadows, which proved to be the case. Normally I lift the shadows by using atmosphere (haze) but since our sets weren’t airtight the haze would have drifted in shot so in general I didn’t use it. So the LUT took the place of physical atmosphere to put light into the shadows. Continue Reading ›