Westworld – Season One (2017)

Frame By Frame

Year – 2017
Decade – 2010s
Cinematographers – Paul Cameron (pilot); David Franco; Jeffrey Jur; Robert McLachlan; Brendan Galvin
Director – multiple
Aspect Ratio – 1.78
Distributor – HBO
Genre – Western; Sci-Fi
Camera – Arricam Lite; Arriflex 435
Lenses – Cooke S4; Canon K35; Fujinon Premiere zooms; spherical
(Most of the show was shot on the Cookes. The K35’s were used for flashbacks/dream sequences.)
Format – 35mm; 3-perf Super 35
Film Stocks – Kodak Vision3 (5219 500T; 5207 250D; 5203 50D)
(5219 500T for night interiors/exteriors, 5207 250D for some dusk scenes, and 5203 50D for daylight interiors/exteriors.)
Other Key Words – Wide Shots; High and Low Angles; Composition; Two-Shots; Close-Ups; Shot/Reverse Shot; Bokeh

Tags:

frames 1.78, frames 2010s, frames 2017, frames 35mm, frames arricam lite, frames arriflex 435, frames bokeh, frames canon k35, frames close-ups, frames composition, frames cooke s4, frames high and low angles, frames kodak vision3, frames kodak vision3 5203 50D, frames Kodak Vision3 5207 250D, frames Kodak Vision3 5219 500T, frames paul cameron, frames sci-fi, frames shot/reverse shot, frames spherical, frames super 35, frames two-shots, frames western, frames wide shots, westworld

The End of the F***ing World (2017)

Frame By Frame

Year – 2017
Decade – 2010s
Cinematographer – Justin Brown (episodes 1-5), Ben Fordesman (episodes 5-8),
Director – Jonathan Entwistle (episodes 1-5), Lucy Tcherniak (5-8)
Aspect Ratio – 1.78, 1.33 (flashback scenes)
Distributor – Netflix
Genre – Drama; Road Movie

Tags:

Ben Fordesman, frames 1.33, frames 1.78, frames 2010s, frames 2017, frames ben fordesman, frames car, frames centered, frames diner, frames drama, frames flashbacks, frames justin brown, frames police interrogation, frames road movie, frames wide shots, Justin Brown, The End of the Fucking World