Frame by Frame – Sweet Virginia (2017)

Frame By Frame

Year – 2017
Decade – 2010s
Cinematographer – Jessica Lee Gagné (imdb link)
Director – Jamie M. Dagg
Aspect Ratio – 2.39
Distributor – IFC Films
Genre – Neo Noir
Camera – Arri Alexa Mini
Lenses – Panavision Primos
Format – Digital

Categories
Clink on any link to see similar frames from other films.
Dawn                             Car Shots                         Diners                                  Hotels
Low Key Lighting       Long Takes                      Mirrors/Reflections         Frames Within Frames
Silhouettes                   Full Shots                        Establishing Shots           Foreground/Background

The Movie
A triple homicide in a remote Alaskan town brings together a former rodeo champion (Jon Bernthal) and a violent drifter (Christopher Abbott) in this moodily photographed neo-noir. Though set in Alaska, the film was shot largely in Hope, British Columbia – the same location as Rambo’s inaugural outing First Blood (1982).

Tags:

frames 2.39, frames 2010s, frames 2017, frames arri alexa mini, frames digital, frames ifc films, frames jessica lee gagné, frames neo noir, frames panavision primo

Frame by Frame: The Deuce – Season 1 (2017)

Frame By Frame

Year – 2017
Decade – 2010s
Cinematographers – Vanja Cernjul, Pepe Avila del Pino (pilot)
Director – various
Aspect Ratio – 1.78
Distributor – HBO
Genre – Drama; Period (1970s)
Camera – Panasonic VariCam35, Arri Alexa (pilot only)
Lenses –  Spherical; Panavision PVintage; Panavision Primos (pilot only)
Format – Digital; Shot in V-Log in HD (1920×1080) resolution with ProRes 4444 compression

Categories
Night Exteriors           Car Shots                       Frames Within Frames     Bars
Silhouettes                   Wide Shots                    Full Shots                            High Angle
Title Cards                   Mirrors                           Shafts of Light
Mercury Vapor Streetlights                              Sodium Vapor Streetlights

Clink on any link above to see similar frames from other films.

The Show
The legalization of pornography alters the lives of the denizens of New York’s seedy 42nd Street circa 1971.

Tags:

frames 1.78, frames 2010s, frames 2017, frames arri alexa, frames digital, frames drama, frames hbo, frames panasonic varicam 35, frames panavision primo, frames panavision pvintage, frames period 1970s, frames spherical

Frame by Frame: Insecure – Season 2 (2017)

Frame By Frame

Year – 2017
Decade – 2010s
Cinematographer – Ava Berkofsky (official site) and Patrick Cady
Director – various
Aspect Ratio – 1.78
Distributor – HBO
Genre – Drama
Camera – Arri Alexa
Format – Spherical

Other Key Words
Location – Los Angeles                    Short Siding                         Headroom

Further Reading
Interview with cinematographer Ava Berkofsky from Mic, which details Berkofsky’s approach to lighting the varying skin tones of Insecure

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Tags:

Frame Grabs, frames 1.78, frames 2010s, frames 2017, frames arri alexa, frames Ava Berkofsky, frames drama, frames hbo, frames headroom, frames los angeles, frames Patrick Cady, frames short siding, frames spherical

Frame by Frame: Westworld – Season One (2017)

Frame By Frame

Year – 2017
Decade – 2010s
Cinematographers – Paul Cameron (pilot); David Franco; Jeffrey Jur; Robert McLachlan; Brendan Galvin
Director – multiple
Aspect Ratio – 1.78
Distributor – HBO
Genre – Western; Sci-Fi
Camera – Arricam Lite; Arriflex 435
Lenses – Cooke S4; Canon K35; Fujinon Premiere zooms; spherical
(Most of the show was shot on the Cookes. The K35’s were used for flashbacks/dream sequences.)
Format – 35mm; 3-perf Super 35
Film Stocks – Kodak Vision3 (5219 500T; 5207 250D; 5203 50D)
(5219 500T for night interiors/exteriors, 5207 250D for some dusk scenes, and 5203 50D for daylight interiors/exteriors.)
Other Key Words – Wide Shots; High and Low Angles; Composition; Two-Shots; Close-Ups; Shot/Reverse Shot; Bokeh

Tags:

frames 1.78, frames 2010s, frames 2017, frames 35mm, frames arricam lite, frames arriflex 435, frames bokeh, frames canon k35, frames close-ups, frames composition, frames cooke s4, frames high and low angles, frames kodak vision3, frames kodak vision3 5203 50D, frames Kodak Vision3 5207 250D, frames Kodak Vision3 5219 500T, frames paul cameron, frames sci-fi, frames shot/reverse shot, frames spherical, frames super 35, frames two-shots, frames western, frames wide shots, westworld

Frame By Frame: The End of the F***ing World (2017)

Frame By Frame

Year – 2017
Decade – 2010s
Cinematographer – Justin Brown (episodes 1-5), Ben Fordesman (episodes 5-8),
Director – Jonathan Entwistle (episodes 1-5), Lucy Tcherniak (5-8)
Aspect Ratio – 1.78, 1.33 (flashback scenes)
Distributor – Netflix
Genre – Drama; Road Movie

Tags:

Ben Fordesman, frames 1.33, frames 1.78, frames 2010s, frames 2017, frames ben fordesman, frames car, frames centered, frames diner, frames drama, frames flashbacks, frames justin brown, frames police interrogation, frames road movie, frames wide shots, Justin Brown, The End of the Fucking World