Frame by Frame: The Deuce – Season 1 (2017)

Year2017
Decade2010s
Cinematographers – Vanja Cernjul, Pepe Avila del Pino (pilot)
Director – various
Aspect Ratio1.78
DistributorHBO
GenreDrama; Period (1970s)
Camera – Panasonic VariCam35, Arri Alexa (pilot only)
Lenses –  SphericalPanavision PVintage; Panavision Primos (pilot only)
FormatDigital; Shot in V-Log in HD (1920×1080) resolution with ProRes 4444 compression

Categories
Night Exteriors           Car Shots                       Frames Within Frames     Bars
Silhouettes                   Wide Shots                    Full Shots                            High Angle
Title Cards                   Mirrors                           Shafts of Light
Mercury Vapor Streetlights                              Sodium Vapor Streetlights

Clink on any link above to see similar frames from other films.

The Show
The legalization of pornography alters the lives of the denizens of New York’s seedy 42nd Street circa 1971. Continue Reading ›

Frame by Frame: Insecure – Season 2 (2017)

Insecure Season frame grabs

Year2017
Decade2010s
CinematographerAva Berkofsky (official site) and Patrick Cady
Director – various
Aspect Ratio1.78
DistributorHBO
GenreDrama
CameraArri Alexa
FormatSpherical

Other Key Words
Location – Los Angeles                    Short Siding                         Headroom

Further Reading
Interview with cinematographer Ava Berkofsky from Mic, which details Berkofsky’s approach to lighting the varying skin tones of Insecure


Continue Reading ›

Frame by Frame: Westworld – Season One (2017)

Year 2017
Decade – 2010s
Cinematographers – Paul Cameron (pilot); David Franco; Jeffrey Jur; Robert McLachlan; Brendan Galvin
Director – multiple
Aspect Ratio – 1.78
Distributor – HBO
Genre  Western; Sci-Fi
Camera – Arricam LiteArriflex 435
Lenses – Cooke S4Canon K35; Fujinon Premiere zooms; spherical
(Most of the show was shot on the Cookes. The K35’s were used for flashbacks/dream sequences.)
Format 35mm; 3-perf Super 35
Film StocksKodak Vision3 (5219 500T; 5207 250D; 5203 50D)
(5219 500T for night interiors/exteriors, 5207 250D for some dusk scenes, and 5203 50D for daylight interiors/exteriors.)
Other Key Words Wide Shots; High and Low Angles; Composition; Two-Shots; Close-Ups; Shot/Reverse Shot; Bokeh Continue Reading ›

Frame By Frame: The End of the F***ing World (2017)

Year  2017
Decade2010s
Cinematographer – Justin Brown (episodes 1-5), Ben Fordesman (episodes 5-8),
Director – Jonathan Entwistle (episodes 1-5), Lucy Tcherniak (5-8)
Aspect Ratio1.78, 1.33 (flashback scenes)
Distributor – Netflix
Genre  Drama; Road Movie
Continue Reading ›