Frame By Frame – Leviathan (1989)

Year – 1989
Decade – 1980s
CinematographerAlex Thomson (imdb link)
DirectorGeorge P. Cosmatos (imdb link)
Aspect Ratio – 2.39
Distributor – MGM
Genre – Sci-Fi; Horror
Lenses – J-D-C Scope anamorphic lenses
Format – 35mm
Film Stock Agfa XT
Categories
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POV Shots; Reflections; Shafts of Light; Lens Flares; Unusual Camera Perspectives; Color – Blue; Creatures; Set Design;

The Movie
A team of deep sea silver miners stumbles upon a derelict Russian craft with predictable consequences for anyone who’s seen Alien or The Thing.
Leviathan was one of three underwater-set studio flicks released in the span of six short months in 1989, top-lined by James Cameron’s The Abyss. It’s basically a direct lift of creature feature tropes transplanted from the void of space to the murky expanse of the ocean, but it benefits from an usually generous B-movie budget of $24 million as well as a solid cast (Peter Weller, Richard Crenna, Hector Elizondo, Daniel Stern) and below-the-line pedigree (Oscar nominees in cinematographer Alex Thomson, composer Jerry Goldsmith, and effects guru Stan Winston).
Leviathan’s underwater sequences were shot dry-for-wet at Cinecittà Studios in Rome. The above-water finale was lensed in an infinity pool in Malta, located on the coast so that at the right camera angle the water of the pool lined up with the ocean to create the illusion of a distant horizon.



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Frame by Frame: The Dark Crystal (1982)

Year1982
Decade1980s
Cinematographer  Oswald Morris (IMDB link)
DirectorJim Henson, Frank Oz
Aspect Ratio2.40
DistributorUniversal
GenreFantasy
Cameras – Panaflex
Lenses  Anamorphic
Format  35mm
Schedule – Principal photography began on April 15th, 1981 and wrapped on September 11th, 1981. The film was shot at EMI Elstree Studios near London.

The Movie
A pair of elf-like creatures on the planet Thra embark on a quest to repair the titular gem – and thus end the reign of a species of revolting reptile/bird hybrids called the Skeksis. Jim Henson’s all-puppet extravaganza was a modest hit during the Christmas season of 1982, but was overshadowed by the blockbuster success of E.T. earlier that year. However, the film became a home video favorite for a generation of kids – myself included – who were equal parts terrified and enthralled by The Dark Crystal, which was significantly more frightening than unsuspecting parents anticipated from the creator of The Muppets.
The film was the swan song of three-time Oscar nominated cinematographer Oswald Morris, who shot the movie back-to-back with Henson’s The Great Muppet Caper and then hung up his light meter.

Further Reading
Starlog, April 1983 issue (Download)
American Cinematographer, December (1982) (Download)
Dark Crystal: The Ultimate Visual History
The Making of the Dark Crystal Continue Reading ›

Frame by Frame – Maniac (2018)

Year2018
Decade2010s
CinematographerDarren Lew (imdb link)
DirectorCary Joji Fukunaga (imdb link)
Aspect Ratio2.39
DistributorNetflix
GenreDrama, Sci-Fi
CameraPanavision Millennium DXL (optics by Panavision, color science by Light Iron, 8K large format sensor by Red)
LensesPanavision AnamorphicsC Series, E Series and T Series
FormatDigital

Categories
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Shot/Reverse Shot            Color                             Profile                             Low Contrast
Center Framing                  Lens Flare                    Diners                             Courtroom
Elevators                              Wide Angle Lens         Establishing Shots      Hotels
Iris                                        Office                             Frame Within Frames
Inserts                                  Bench                            Shafts of Light             Foreground/Background
Car Wreck                            Long Takes

The Show
Two participants in a pharmaceutical trial (Emma Stone, Johan Hill) find themselves intertwined in the trial’s therapuutic series of drug-induced delusions. Continue Reading ›

Frame by Frame: Hombre (1967)

Year – 1967
Decade – 1960s
Cinematographer – James Wong Howe (imdb credits)
Director – Martin Ritt (imdb credits)
Aspect Ratio – 2.40
Distributor – 20th Century Fox
Genre – Western
Lenses – Anamorphic
Format – 35mm
Other Key Words:
Group Compositions 
Opening Credits
Shot/Reverse Shot
Scene Breakdowns

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