Frame by Frame: Night of the Living Dead (1968)

Year1968
Decade1960s
CinematographerGeorge Romero
DirectorGeorge Romero
Aspect Ratio1.37
GenreHorror, Zombie
Camera – Arri 35 IIC (More on the Arri 35 II series of cameras)
Format35mm; Black and White
Production Info – Budget of $114,000 and shot in 30 days, which were spread out over seven months as Romero took breaks to tend to his Pittsburgh commercial production company
Key Words – Close-Ups

Click on any of the links above to view other films featured in that category

The Movie
A group of bickering survivors hole up in an isolated farmhouse besieged by the undead in George Romero’s immeasurably influential Night of the Living Dead. The film redefined not only the zombie movie but the horror genre itself, drawing a clear line of demarcation between the genre’s history of gothic monsters and enlarged radioactive creatures and the more angry, violent and transgressive contemporary horror of the 1970s. In commemoration of Night of the Living Dead’s 50th anniversary, I’m looking back at some of my favorite frames from Romero’s directorial debut. Continue Reading ›

Frame by Frame: Hell on Wheels – Season 1 (2011)

Year2011
Decade2010s
CinematographerElliot Davis (pilot), Marvin Rush (all other Season 1 episodes)
Director – multiple
Aspect Ratio1.78
DistributorAMC
GenreWestern
CameraArri Alexa
LensesSpherical
FormatDigital

Key Words

Silhouettes           Low Angles            Scene: Campfire              Candlelight
Day Exterior        Night Exterior       Desaturation                   Close-Ups
Wide Shots           Firearms 

Click on any link to view other films featuring frames from that category.

The Show
A freed slave (Common), an unscrupulous magnate (Colm Meaney), and a Confederate soldier hellbent on revenge (Anson Mount) are among the characters in this Western detailing the building of the first transcontinental railroad. The show ran for five seasons an AMC. Continue Reading ›

Frame by Frame: Possession (1981)

Year 1981
Decade – 1980s
Director – Andrej Zulawski
Cinematographers – Bruno Nuytten
Aspect Ratio – 1.66
Genre  Horror
Lenses – spherical
Format 35mm
Other Key Words Video Nasties; Close-Ups; Phone Calls; Shot/Reverse Shot Continue Reading ›

Frame by Frame: Westworld – Season One (2017)

Year 2017
Decade – 2010s
Cinematographers – Paul Cameron (pilot); David Franco; Jeffrey Jur; Robert McLachlan; Brendan Galvin
Director – multiple
Aspect Ratio – 1.78
Distributor – HBO
Genre  Western; Sci-Fi
Camera – Arricam LiteArriflex 435
Lenses – Cooke S4Canon K35; Fujinon Premiere zooms; spherical
(Most of the show was shot on the Cookes. The K35’s were used for flashbacks/dream sequences.)
Format 35mm; 3-perf Super 35
Film StocksKodak Vision3 (5219 500T; 5207 250D; 5203 50D)
(5219 500T for night interiors/exteriors, 5207 250D for some dusk scenes, and 5203 50D for daylight interiors/exteriors.)
Other Key Words Wide Shots; High and Low Angles; Composition; Two-Shots; Close-Ups; Shot/Reverse Shot; Bokeh Continue Reading ›