Frame by Frame – BlacKkKlansman (2018)

Year2018
Decade2010s
CinematographerChayse Irvin (imdb link) (official site)
DirectorSpike Lee (imdb link)
Aspect Ratio2.39
DistributorFocus Features; Universal
GenreDrama; Period 1970s; Best Picture Nominee
CamerasPanaflex Millennium XL2, Arricam Lite, Aaton Penelope, Arriflex SR3 (16mm)
LensesSpherical; Zeiss Super Speeds MKII, Zeiss Master Primes, Panavision Ultra and Super Speeds, Panavision PVintage
Format  35mm; 16mm
Film StocksKodak Vision3 250D 5207, Kodak Vision3 500T 5219, Kodak Eastman Double-X Black & White Negative Film 5222 and 7222, Kodak Ektachrome 100D
Production info – 31 days of principal photography

Categories
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Eye Lights
Car Shots
High and Low Angles
Two Shots
Three Shots
Low Key Lighting
Police Station
Highlights
Eyelines
Phone Calls

The Movie
Based on the true story of Ron Stallworth, a black detective in the Colorado Springs Police Department who infiltrated the Ku Klux Klan in the early 1970s. The unlikely undercover mission began with Stallworth establishing phone contact posing as an interested new member, first with the local chapter and eventually with the organization’s “executive director” David Duke (played by Topher Grace). The sting ultimately became a two-man operation – with Stallworth (played by John David Washington) handling the phone calls and fellow detective Flip Zimmerman (Adam Driver) standing in for Stallworth for the face-to-face interactions.

The film earned Spike Lee his first Academy Award nomination for Best Director. Continue Reading ›

Frame by Frame – Maniac (2018)

Year2018
Decade2010s
CinematographerDarren Lew (imdb link)
DirectorCary Joji Fukunaga (imdb link)
Aspect Ratio2.39
DistributorNetflix
GenreDrama, Sci-Fi
CameraPanavision Millennium DXL (optics by Panavision, color science by Light Iron, 8K large format sensor by Red)
LensesPanavision AnamorphicsC Series, E Series and T Series
FormatDigital

Categories
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Shot/Reverse Shot            Color                             Profile                             Low Contrast
Center Framing                  Lens Flare                    Diners                             Courtroom
Elevators                              Wide Angle Lens         Establishing Shots      Hotels
Iris                                        Office                             Frame Within Frames
Inserts                                  Bench                            Shafts of Light             Foreground/Background
Car Wreck                            Long Takes

The Show
Two participants in a pharmaceutical trial (Emma Stone, Johan Hill) find themselves intertwined in the trial’s therapuutic series of drug-induced delusions. Continue Reading ›

Frame by Frame: The Deuce – Season 1 (2017)

Year2017
Decade2010s
Cinematographers – Vanja Cernjul, Pepe Avila del Pino (pilot)
Director – various
Aspect Ratio1.78
DistributorHBO
GenreDrama; Period (1970s)
Camera – Panasonic VariCam35, Arri Alexa (pilot only)
Lenses –  SphericalPanavision PVintage; Panavision Primos (pilot only)
FormatDigital; Shot in V-Log in HD (1920×1080) resolution with ProRes 4444 compression

Categories
Night Exteriors           Car Shots                       Frames Within Frames     Bars
Silhouettes                   Wide Shots                    Full Shots                            High Angle
Title Cards                   Mirrors                           Shafts of Light
Mercury Vapor Streetlights                              Sodium Vapor Streetlights

Clink on any link above to see similar frames from other films.

The Show
The legalization of pornography alters the lives of the denizens of New York’s seedy 42nd Street circa 1971. Continue Reading ›

Frame by Frame: Insecure – Season 2 (2017)

Insecure Season frame grabs

Year2017
Decade2010s
CinematographerAva Berkofsky (official site) and Patrick Cady
Director – various
Aspect Ratio1.78
DistributorHBO
GenreDrama
CameraArri Alexa
FormatSpherical

Other Key Words
Location – Los Angeles                    Short Siding                         Headroom

Further Reading
Interview with cinematographer Ava Berkofsky from Mic, which details Berkofsky’s approach to lighting the varying skin tones of Insecure


Continue Reading ›

Frame by Frame: Paterno (2018)

Paterno hbo frame grab

Year – 2018
Decade – 2010s
CinematographerMarcell Rév
Director – Barry Levinson
Aspect Ratio – 1.78
Distributor – HBO
Genre – Drama
CameraAlexa Mini (3.2K ProRes 4444 XQ)
Lenses – Spherical; detuned Panavision Primos
Format – Digital
*Some of Paterno’s flashback scenes were shot with 8mm and 16mm film, the latter with Arriflex 416 cameras and Arri Zeiss Standard Speed lenses
Other Key Words
Scene Breakdowns         Low key lighting              Highlights               Flashbacks

Thanks to Paterno director of photography Marcell Rév for providing me with tech specs. Check out his official site.

Click on any link for a list of other films featuring frames from that category.

Continue Reading ›

Frame By Frame: The End of the F***ing World (2017)

Year  2017
Decade2010s
Cinematographer – Justin Brown (episodes 1-5), Ben Fordesman (episodes 5-8),
Director – Jonathan Entwistle (episodes 1-5), Lucy Tcherniak (5-8)
Aspect Ratio1.78, 1.33 (flashback scenes)
Distributor – Netflix
Genre  Drama; Road Movie
Continue Reading ›