Frame by Frame: Night of the Living Dead (1968)

Year1968
Decade1960s
CinematographerGeorge Romero
DirectorGeorge Romero
Aspect Ratio1.37
GenreHorror, Zombie
Camera – Arri 35 IIC (More on the Arri 35 II series of cameras)
Format35mm; Black and White
Production Info – Budget of $114,000 and shot in 30 days, which were spread out over seven months as Romero took breaks to tend to his Pittsburgh commercial production company
Key Words – Close-Ups

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The Movie
A group of bickering survivors hole up in an isolated farmhouse besieged by the undead in George Romero’s immeasurably influential Night of the Living Dead. The film redefined not only the zombie movie but the horror genre itself, drawing a clear line of demarcation between the genre’s history of gothic monsters and enlarged radioactive creatures and the more angry, violent and transgressive contemporary horror of the 1970s. In commemoration of Night of the Living Dead’s 50th anniversary, I’m looking back at some of my favorite frames from Romero’s directorial debut. Continue Reading ›

Frame by Frame: The Stepfather (1987)

Year1987
Decade1980s
CinematographerJohn Lindley (imdb link)
DirectorJoseph Ruben (imdb link)
Aspect Ratio1.85
GenreHorror
LensesSpherical
Format35mm

Key Words
Shot-by-Shot Scene Breakdowns                    Camera Moves

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The Movie
A seemingly bland suburban realtor (Terry O’Quinn) marries into a widowed family and reacts violently when the clan doesn’t live up to his ideal of family values.

A link has frequently been drawn between the violence in the horror films of the 1980s – particularly the slasher flicks of the era – and the decade’s shift toward moral conservatism. When characters flaunted the tenants of the religious right that flourished under Reagan, their demise was swift. Have sex and you die. Take drugs and you die. Joseph Ruben’s clever low-budget thriller The Stepfather is one of the few films to intentionally and explicitly make that connection, presenting a portrait of unhinged patriarchy raging against the white middle class male’s dwindling influence that still feels relevant 30 years later.

Check out the movie while it’s streaming on Amazon Prime.
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Frame by Frame: Friday the 13th (1980)

Year1980
Decade1980s
CinematographerBarry Abrams (imdb link)
DirectorSean S. Cunningham (imdb link)
Make-Up Effects – Tom Savini (imdb link)
Aspect Ratio
 – 1.85
DistributorParamount
GenreHorror, Slasher
LensesSpherical
Format35mm
Other Key Words
Point of View
Shot-by-Shot Scene Breakdowns

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Frame by Frame: Night Train Murders (1975)

Year – 1975
Decade – 1970s
CinematographerGabor Pogany
Director – Aldo Lado
Aspect Ratio – 1.85
Genre – Horror
LensesSpherical
Format – 35mm
Other Key Words – Video Nasties; Color (Blue); Zooms; 180 Degree Pan; Shot/Reverse Shot; Phone Calls

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“Every seat in this theater becomes a coach seat to hell!” – tagline from the Night Train Murders trailer

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Frame by Frame: Possession (1981)

Year 1981
Decade – 1980s
Director – Andrej Zulawski
Cinematographers – Bruno Nuytten
Aspect Ratio – 1.66
Genre  Horror
Lenses – spherical
Format 35mm
Other Key Words Video Nasties; Close-Ups; Phone Calls; Shot/Reverse Shot Continue Reading ›