Frame by Frame – BlacKkKlansman (2018)

Year2018
Decade2010s
CinematographerChayse Irvin (imdb link) (official site)
DirectorSpike Lee (imdb link)
Aspect Ratio2.39
DistributorFocus Features; Universal
GenreDrama; Period 1970s; Best Picture Nominee
CamerasPanaflex Millennium XL2, Arricam Lite, Aaton Penelope, Arriflex SR3 (16mm)
LensesSpherical; Zeiss Super Speeds MKII, Zeiss Master Primes, Panavision Ultra and Super Speeds, Panavision PVintage
Format  35mm; 16mm
Film StocksKodak Vision3 250D 5207, Kodak Vision3 500T 5219, Kodak Eastman Double-X Black & White Negative Film 5222 and 7222, Kodak Ektachrome 100D
Production info – 31 days of principal photography

Categories
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Eye Lights
Car Shots
High and Low Angles
Two Shots
Three Shots
Low Key Lighting
Police Station
Highlights
Eyelines
Phone Calls

The Movie
Based on the true story of Ron Stallworth, a black detective in the Colorado Springs Police Department who infiltrated the Ku Klux Klan in the early 1970s. The unlikely undercover mission began with Stallworth establishing phone contact posing as an interested new member, first with the local chapter and eventually with the organization’s “executive director” David Duke (played by Topher Grace). The sting ultimately became a two-man operation – with Stallworth (played by John David Washington) handling the phone calls and fellow detective Flip Zimmerman (Adam Driver) standing in for Stallworth for the face-to-face interactions.

The film earned Spike Lee his first Academy Award nomination for Best Director. Continue Reading ›

Frame by Frame: The Deuce – Season 1 (2017)

Year2017
Decade2010s
Cinematographers – Vanja Cernjul, Pepe Avila del Pino (pilot)
Director – various
Aspect Ratio1.78
DistributorHBO
GenreDrama; Period (1970s)
Camera – Panasonic VariCam35, Arri Alexa (pilot only)
Lenses –  SphericalPanavision PVintage; Panavision Primos (pilot only)
FormatDigital; Shot in V-Log in HD (1920×1080) resolution with ProRes 4444 compression

Categories
Night Exteriors           Car Shots                       Frames Within Frames     Bars
Silhouettes                   Wide Shots                    Full Shots                            High Angle
Title Cards                   Mirrors                           Shafts of Light
Mercury Vapor Streetlights                              Sodium Vapor Streetlights

Clink on any link above to see similar frames from other films.

The Show
The legalization of pornography alters the lives of the denizens of New York’s seedy 42nd Street circa 1971. Continue Reading ›