Frame by Frame: The Deuce – Season 1 (2017)

Year2017
Decade2010s
Cinematographers – Vanja Cernjul, Pepe Avila del Pino (pilot)
Director – various
Aspect Ratio1.78
DistributorHBO
GenreDrama; Period (1970s)
Camera – Panasonic VariCam35, Arri Alexa (pilot only)
Lenses –  SphericalPanavision PVintage; Panavision Primos (pilot only)
FormatDigital; Shot in V-Log in HD (1920×1080) resolution with ProRes 4444 compression

Categories
Night Exteriors           Car Shots                       Frames Within Frames     Bars
Silhouettes                   Wide Shots                    Full Shots                            High Angle
Title Cards                   Mirrors                           Shafts of Light
Mercury Vapor Streetlights                              Sodium Vapor Streetlights

Clink on any link above to see similar frames from other films.

The Show
The legalization of pornography alters the lives of the denizens of New York’s seedy 42nd Street circa 1971. Continue Reading ›

Frame by Frame: Insecure – Season 2 (2017)

Insecure Season frame grabs

Year2017
Decade2010s
CinematographerAva Berkofsky (official site) and Patrick Cady
Director – various
Aspect Ratio1.78
DistributorHBO
GenreDrama
CameraArri Alexa
FormatSpherical

Other Key Words
Location – Los Angeles                    Short Siding                         Headroom

Further Reading
Interview with cinematographer Ava Berkofsky from Mic, which details Berkofsky’s approach to lighting the varying skin tones of Insecure


Continue Reading ›

Frame by Frame: The Stepfather (1987)

Year1987
Decade1980s
CinematographerJohn Lindley (imdb link)
DirectorJoseph Ruben (imdb link)
Aspect Ratio1.85
GenreHorror
LensesSpherical
Format35mm

Key Words
Shot-by-Shot Scene Breakdowns                    Camera Moves

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The Movie
A seemingly bland suburban realtor (Terry O’Quinn) marries into a widowed family and reacts violently when the clan doesn’t live up to his ideal of family values.

A link has frequently been drawn between the violence in the horror films of the 1980s – particularly the slasher flicks of the era – and the decade’s shift toward moral conservatism. When characters flaunted the tenants of the religious right that flourished under Reagan, their demise was swift. Have sex and you die. Take drugs and you die. Joseph Ruben’s clever low-budget thriller The Stepfather is one of the few films to intentionally and explicitly make that connection, presenting a portrait of unhinged patriarchy raging against the white middle class male’s dwindling influence that still feels relevant 30 years later.

Check out the movie while it’s streaming on Amazon Prime.
Continue Reading ›

Frame by Frame: Hell on Wheels – Season 1 (2011)

Year2011
Decade2010s
CinematographerElliot Davis (pilot), Marvin Rush (all other Season 1 episodes)
Director – multiple
Aspect Ratio1.78
DistributorAMC
GenreWestern
CameraArri Alexa
LensesSpherical
FormatDigital

Key Words

Silhouettes           Low Angles            Scene: Campfire              Candlelight
Day Exterior        Night Exterior       Desaturation                   Close-Ups
Wide Shots           Firearms 

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The Show
A freed slave (Common), an unscrupulous magnate (Colm Meaney), and a Confederate soldier hellbent on revenge (Anson Mount) are among the characters in this Western detailing the building of the first transcontinental railroad. The show ran for five seasons an AMC. Continue Reading ›

Frame by Frame: Friday the 13th (1980)

Year1980
Decade1980s
CinematographerBarry Abrams (imdb link)
DirectorSean S. Cunningham (imdb link)
Make-Up Effects – Tom Savini (imdb link)
Aspect Ratio
 – 1.85
DistributorParamount
GenreHorror, Slasher
LensesSpherical
Format35mm
Other Key Words
Point of View
Shot-by-Shot Scene Breakdowns

Click on a link to view other films featuring frames from that category. Continue Reading ›

Frame by Frame: Fahrenheit 451 (2018)

Year 2018
Decade – 2010s
Cinematographers – Kramer Morgenthau (IMDB link)
Director – Ramin Bahrani (IMDB link)
Aspect Ratio – 1.78
Distributor – HBO
Genre Sci-Fi
Cameras – Panasonic VariCam 35 (3840×2160 UHD with AVC-Intra compression) for the main cameras; Zenmuse X5S on a DJI Inspire 2 drone for wide aerial shots; GoPro Hero4 Black for point of view shots
Lenses – Zeiss Super Speeds for the main lenses; Panavision Primo zooms and Lensbaby Composor Pros (for flashbacks) were also used
Format Digital; Spherical
Miscellaneous – According to American Cinematographer magazine, Morgenthau favored the 29mm and 40mm Super Speeds and typically shot between a T1.4 and a T2.0. Director Ramin Bahrani’s visual references included Orson Welles’ Touch of Evil and The Trial.
Other Key Words
Opening Credits             Color               Flashbacks             Point of View              Night Exteriors

Further Reading
American Cinematographer magazine’s feature on the film, from the June 2018 issue
CinemaTechnic’s history of the Zeiss Super Speeds
Interview with cinematographer Kramer Morganthau from Panavison’s official site Continue Reading ›

Frame by Frame: Paterno (2018)

Paterno hbo frame grab

Year – 2018
Decade – 2010s
CinematographerMarcell Rév
Director – Barry Levinson
Aspect Ratio – 1.78
Distributor – HBO
Genre – Drama
CameraAlexa Mini (3.2K ProRes 4444 XQ)
Lenses – Spherical; detuned Panavision Primos
Format – Digital
*Some of Paterno’s flashback scenes were shot with 8mm and 16mm film, the latter with Arriflex 416 cameras and Arri Zeiss Standard Speed lenses
Other Key Words
Scene Breakdowns         Low key lighting              Highlights               Flashbacks

Thanks to Paterno director of photography Marcell Rév for providing me with tech specs. Check out his official site.

Click on any link for a list of other films featuring frames from that category.

Continue Reading ›

Frame by Frame: Night Train Murders (1975)

Year – 1975
Decade – 1970s
CinematographerGabor Pogany
Director – Aldo Lado
Aspect Ratio – 1.85
Genre – Horror
LensesSpherical
Format – 35mm
Other Key Words – Video Nasties; Color (Blue); Zooms; 180 Degree Pan; Shot/Reverse Shot; Phone Calls

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“Every seat in this theater becomes a coach seat to hell!” – tagline from the Night Train Murders trailer

Continue Reading ›