Interview: Director Lowell Dean talks Another WolfCop

When it comes to pitching WolfCop flicks, writer/director Lowell Dean has a knack for dreaming up enticing amalgamations. He pegged the initial installment as Teen Wolf meets Bad Lieutenant. He’s labeled the follow-up Another WolfCop – now available on Blu-ray, DVD, and VOD – as a cross between Gremlins, Slap Shot, Strange Brew, and Lethal Weapon. It’s an apt description of the lycanthropic sequel’s mixture of comedy, action, beer, gore, and hockey.

This time around the plot finds the titular hirsute law enforcement officer (again played by Leo Fafard) battling shape-shifting aliens whose scheme to take over the Canadian berg of Woodhaven involves impregnating its citizenry via a hearty new stout.

Continue onward as Dean talks Kevin Smith cameos, the importance of a kick ass poster in the age of streaming, and the challenges of capturing explosions, werewolf lovemaking, car chases, and alien baby berths in a 17-day shooting schedule.


 

When we talked about the original WolfCop back in early 2015, you had the sequel script ready to go and were hoping to get financing in time to shoot that summer. Did that ultimately happen or did production get pushed?

Lowell Dean: Oh, it got pushed! By almost two years. Development on the sequel was almost as much of a journey as production itself. The first film was very modest (a budget of about 1 million Canadian) and it was more a mystery film than an action film. Everyone involved agreed that the sequel needed to up the ante in terms of action and practical effects, which of course meant (we needed) more money. In the end, the producers pulled together just over 2 million but it took more time. Over that period the script underwent several revisions. We changed the villain. The setting changed from winter to summer and then back to winter. To be honest, there was a stretch of time when I thought the sequel just wasn’t going to happen. Continue Reading ›

Deep Fried Interview: WolfCop writer/director Lowell Dean

When David Cronenberg’s 1975 horror film They Came From Within hit screens – partially funded with taxpayer dollars by the Canadian Film Development Corporation – a Canadian national magazine famously featured the headline, “You Should Know How Bad This movie Is – You Paid For It.”

No such disclaimer was necessary when WolfCop howled its way into theaters last year. Canadian audiences knew exactly what kind of romp they were in for. After all, they helped get it made.

Both WolfCop’s $1 million budget and Canadian theatrical release in select Cineplex Odeon theaters came via the paradigm-disrupting CineCoup Film Accelerator, a 12-week contest in which nearly 100 potential feature films battled for fan votes and social media engagements to determine which received a greenlight.

WolfCop writer/director Lowell Dean spoke to Deep Fried Movies about that unique preproduction process, the benefits of using action figures to create storyboards and breaking every rule in the Coors Light product placement playbook. Continue Reading ›