Cinematographer Rachel Morrison talks Mudbound

Mudbound frame grabs

Check out my Filmmaker Magazine interview with Rachel Morrison regarding her work on Netflix’s Mudbound. Set in post-World War II rural Mississippi, Mudbound was shot on Alexa Minis using Panavision PVintage spherical lenses and Panavision B, C, and D series anamorphic glass.

Continue onward for a few set pics and a snippet from the interview in which Morrison breaks down the pros and cons of working with film vs. digital. Continue Reading ›