In my newest interview for Filmmaker Magazine, Panavision Senior Vice President of Optical Engineering Dan Sasaki talks being a second-generation member of the Panavision family, the storied history of the C Series anamorphics, and personalizing lenses for cinematographer Robert Richardson for use on Quentin Tarantino’s Once Upon a Time In Hollywood.
Here’s an excerpt:
Filmmaker: Do you have a favorite set of lenses that you wish got rented out more?
Sasaki: Oddly enough, I cannot say that I have encountered a situation in which any particular series has gone unnoticed or underutilized. The amount of content [being made now] has created a bit of a renaissance in which the art of cinematography has evolved into an adventure that I have not seen the likes of in my history at Panavision. Cinematographers are figuring out ways to maintain their authorship and carry their intent throughout the entire imaging chain. That includes experimenting with every type of lens we carry.