Cinematographer Rachel Morrison talks Mudbound

Mudbound frame grabs

Check out my Filmmaker Magazine interview with Rachel Morrison regarding her work on Netflix’s Mudbound. Set in post-World War II rural Mississippi, Mudbound was shot on Alexa Minis using Panavision PVintage spherical lenses and Panavision B, C, and D series anamorphic glass.

Continue onward for a few set pics and a snippet from the interview in which Morrison breaks down the pros and cons of working with film vs. digital. Continue Reading ›

Cake cinematographer Rachel Morrison

 

From the moment she began hijacking the family camera as a grade schooler, there was little doubt Rachel Morrison would live her life peering at the world through a viewfinder. The only question was whether Morrison would be adjusting the aperture on a still camera or movie camera.

Morrison spoke to Deep Fried Movies about the path that led her to choose the latter, a decision that has worked out well thus far for the cinematographer of Fruitvale Station and the new drama Cake starring Jennifer Aniston. Continue Reading ›