(Above) The wooden crane and 16mm Bolex used for the opening shot of The Texas Chain Saw Massacre (1974). The film’s director, Tobe Hooper, passed away a few days ago and as a tribute American Cinematographer Magazine posted this set pic and shared a few videos about the making of the original Chain Saw, which you can find here.
In Get Carter, a London gangster (Michael Caine) travels to the industrial berg of Newcastle to investigate the death of his brother. Here’s director Mike Hodges on how he settled on Newcastle:
“As soon as I saw those huge rust-coloured bridges stretching across the Tyne I knew this was (Jack Carter’s) manor. Tough, ruthless and uncompromising. I moved into the city for a week or more and walked its streets looking for locations to use. They came in an abundance. Gentrification was a word unknown in 1969. That said, I had happened upon a city in violent transition. It was a place that somehow captured the cataclysmic rupture slowly happening to British society but not yet visible to most of its inhabitants.”
A set-up on John Huston’s 1948 noir Key Largo for a scene in which a centenarian Native American woman bums a cigarette off Humphrey Bogart’s vagabond ex-army captain. The film marked the final of four pairings of Bogart and wife Lauren Bacall.
Released the same year as Huston and Bogart’s Treasure of the Sierra Madre, Key Largo finds Bogart and gangster Edward G. Robinson squaring off in a Florida hotel besieged by a hurricane.
A gallery of behind the scenes images from the first season of HBO’s Westworld, which was shot on Super 35mm with Arri film cameras, Cooke prime lenses, and Fujinon zooms.
To read more about the making of the sci/western hybrid, check out these features from Filmmaker Magazine, American Cinematographer Magazine, ICG Magazine, and Kodak. All the images are courtesy of these sources. Continue Reading ›
(Above, top – photo by David Friedman) On the set of Enter the Dragon (1973), cinematographer Gilbert Hubbs frames a handheld shot with the metallic claw of villain Shih Kien in the foreground during the climactic final showdown with Bruce Lee. Lee completed only four starring roles before his death at the age of 32 – with the posthumously released Enter the Dragon being the last.
The behind the scenes pic above comes from a photo spread on the website of American Cinematographer Magazine. You can also buy the 2013 issue of the magazine featuring an Enter the Dragon retrospective on the publication’s website for just $1.
For more in the Shot Behind the Shot series, click here.
(Above) Some wind sound effects go a long way in Ken Kwapis’ A Walk in the Woods (2015), helping transform a sunny spring day into a frigid wintry dusk.
For more in our Shot Behind the Shot series, click here.
(Above) The practical portion of one of Swiss Army Man’s many inventive effects that give superhuman powers to flatulent corpse Manny (Daniel Radcliffe). Here’s the film’s cinematographer Larkin Seiple on the various fake Radcliffes constructed for the movie, via an interview with Seiple I did for Filmmaker Magazine. Continue Reading ›