If one were to imagine a “degree of difficulty” scale for costume designers, on one end of the scale you might find something like a two-character chamber piece set over the course of a single evening. Then all the way at the other end of that scale, you’d find The Spierig Brothers’ twisting time travel sci-fi Predestination (2014).
Bounding from the 1940s to the 1990s and stopping at every decade in between, Predestination taxed costume designer Wendy Cork with creating period looks for a half-dozen distinct epochs, each slightly skewed through the prism of science fiction and featuring an androgynous lead who switches genders halfway through the proceedings.
Cork spoke to Deep Fried Movies about grappling with Predestination’s preternatural degree of difficulty, looking to David Bowie and Keith Richards for inspiration and the impact of digital cinematographer on her work. Continue Reading ›