Spring is the rarest of horror film breeds – a genre effort that would function perfectly well shorn of all its macabre elements. It’s one of the few horror films I’d describe as thematically beautiful – a meditation on love and chemical attraction, faith and skepticism, science and magic. The film’s horror comes not from the Lovecraftian creature that belatedly makes its bow, but rather from the shared existential inevitabilities of the human condition.
Aaron Moorhead – who co-directed, co-edited, produced and served as cinematographer – talked to Deep Fried Movies about the making of the genre-bending Spring. He was joined by crew member Will Sampson, who, in keeping with Moorhead’s multi-hyphenate job description, served as 1st Assistant Camera, Steadicam and drone operator, and scorpion wrangler. Continue Reading ›