Pearl cinematographer Eliot Rockett
“Either it Blows Up or it Doesn’t.” – New interview for my Filmmaker Magazine column with Pearl cinematographer Eliot Rockett Rockett, a longtime Ti West collaborator (X, The Innkeepers, The House […]
Frame By Frame – His House (2020)
Year – 2020 Decade – 2020s Cinematographer – Jo Willems Director – Remi Weekes Studio – Netflix and BBC Films Genre – Horror; Haunted House Aspect Ratio – 2.40 Filming […]
Halloween Ends cinematographer Michael Simmonds
“You want to avoid a shot looking like a fruit salad. There needs to be a dominant source, then a secondary source. One light has to win.” Halloween Ends cinematographer […]
Prey cinematographer Jeff Cutter
I talked with Jeff Cutter, DP of the new Predator prequel Prey, about dodging bears in the wilds of Calgary, creating the predators’ heat vision and cloaking effects, and reteaming […]
Frame By Frame – Better Call Saul Season 1 (2015)
Year – 2015 Decade – 2010s Cinematographer – Arthur Albert (imdb link) Distributor – AMC Genre – Television; Drama Aspect Ratio – 1.78 Filming Location – Albuquerque, New Mexico Camera […]
Marcel the Shell with Shoes On cinematographers Bianca Cline and Eric Adkins
“Filming a character who has to be seven or eight inches from the lens adds a whole bunch of complications.” New interview up for Filmmaker Magazine with Marcel the Shell […]
Frame By Frame – The Long Hot Summer (1958)
Year – 1958 Decade – 1950s Cinematographer – Joseph LaShelle Director – Martin Ritt Genre – Drama; Romance Distributor – 20th Century Fox Aspect Ratio – 2.35 Lenses – Anamorphic […]
The Black Phone cinematographer Brett Jutkiewicz
“I actually still use my light meter on everything….Being part of that transition from film to digital, I still can’t let it go and totally trust the monitor.” Less than […]
deep fried movies 