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mattmulcahey

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Cinematographer Daniele Massaccesi on The Matrix Resurrections

“Whenever I’m concentrating on a shot, to be honest, I don’t feel anything else. I don’t feel cold. I don’t feel hot. I don’t feel the weight.” – The Matrix […]

By mattmulcahey Posted on February 8, 2022

Interviews 0

Censor cinematographer Annika Summerson

Censor – a 1980s-set, color-drenched horror flick centered around a British ratings board member who sanitizes “video nasties” – hits theaters today and VOD on June 18th. I’ve got an […]

By mattmulcahey Posted on June 11, 2021

Interviews 0

Mare of Easttown cinematographer Ben Richardson

New post from my Filmmaker Magazine column – a chat with Mare of Easttown cinematographer Ben Richardson (Beasts of the Southern Wild, The Fault in Our Stars, Wind River). Shot […]

By mattmulcahey Posted on June 10, 2021

Interviews 0

Nobody cinematographer Pawel Pogorzelski

New interview up over at Filmmaker Magazine with Nobody cinematographer Pawel Pogorzelski. Directed by Hardcore Henry stylist Ilya Naishuller, the film inverts the typical “man of violence coaxed back into […]

By mattmulcahey Posted on May 20, 2021

Interviews 0

Oscar nominated News of the World cinematographer Dariusz Wolski

New interview up over at Filmmaker Magazine with Dariusz Wolski. After more than 30 years of shooting features – including six for Ridley Scott, four with Gore Verbinski and two […]

By mattmulcahey Posted on March 17, 2021

Interviews 0

One Night in Miami cinematographer Tami Reiker

New interview up over at Filmmaker Magazine with One Night in Miami cinematographer Tami Reiker (High Art, The Old Guard). Shot on Arri Alexa 65’s and Arri DNA lenses. The […]

By mattmulcahey Posted on February 3, 2021

Interviews 0

Wonder Woman 1984 cinematographer Matthew Jensen on IMAX, practical stunts, and his love of Panavision Primos

I’ve got a new interview up over at Filmmaker Magazine with Wonder Woman 1984 cinematographer Matthew Jensen. The super hero sequel was shot on a multitude of formats, including: 35mm […]

By mattmulcahey Posted on January 25, 2021

Interviews 0

Mank cinematographer Erik Messerschmidt

A car interior set-up from David Fincher’s Netflix film Mank, shot on stage with LED screens to provide backgrounds and interactive lighting. Here’s Mank cinematographer Erik Messerschmidt on his approach to […]

By mattmulcahey Posted on January 18, 2021

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