Scream VI cinematographer Brett Jutkiewicz
“What’s interesting about Ghostface is that once the character is in the costume, they kind of cease to be themselves and just become Ghostface. We talked a lot about that. […]
“What’s interesting about Ghostface is that once the character is in the costume, they kind of cease to be themselves and just become Ghostface. We talked a lot about that. […]
Year – 1974 Decade – 1970s Cinematographer – Victor J. Kemper Director – Karel Reisz Genre – Drama Distributor – Paramount Aspect Ratio – 1.85 Format – 35mm with spherical […]
New story for Filmmaker Magazine on Black Panther: Wakanda Forever cinematographer Autumn Durald Arkapaw, who shifted the series to anamorphic glass and large format cameras for the sequel. Check out […]
“We spent a lot of time staring at the clouds and waiting for a bit of soft light and a bit of consistency. My gaffer would shout at me, “I’m […]
Year – 1998 Decade – 1990s Cinematographer – Enrique Chediak Director – Robert Rodriguez Distributor – Dimension; Miramax Genre – Science Fiction; Horror Filming Location – Set in Ohio, but […]
I’ve got a new interview up over at Filmmaker Magazine with DP Peter Deming (Evil Dead II, Mulholland Drive, The Cabin in the Woods, House Party). Check out the full […]
Year – 1957 Decade – 1950s Cinematographer – Robert J. Bronner (imdb link) Director – Richard Thorpe Studio – MGM Genre – Drama; Musical Aspect Ratio – 2.35 Format – […]
“Either it Blows Up or it Doesn’t.” – New interview for my Filmmaker Magazine column with Pearl cinematographer Eliot Rockett Rockett, a longtime Ti West collaborator (X, The Innkeepers, The House […]
Year – 2020 Decade – 2020s Cinematographer – Jo Willems Director – Remi Weekes Studio – Netflix and BBC Films Genre – Horror; Haunted House Aspect Ratio – 2.40 Filming […]
“There needs to be a dominant source, then a secondary source. One light has to win.” Halloween Ends cinematographer Michael Simmonds – who shot all three entires in the latest […]
I talked with Jeff Cutter, DP of the new Predator prequel Prey, about dodging bears in the wilds of Calgary, creating the predators’ heat vision and cloaking effects, and reteaming […]
Year – 2015 Decade – 2010s Cinematographer – Arthur Albert (imdb link) Distributor – AMC Genre – Television; Drama Aspect Ratio – 1.78 Filming Location – Albuquerque, New Mexico Camera […]
“Filming a character who has to be seven or eight inches from the lens adds a whole bunch of complications.” New interview up for Filmmaker Magazine with Marcel the Shell […]
Year – 1958 Decade – 1950s Cinematographer – Joseph LaShelle Director – Martin Ritt Genre – Drama; Romance Distributor – 20th Century Fox Aspect Ratio – 2.35 Lenses – Anamorphic […]
“I actually still use my light meter on everything….Being part of that transition from film to digital, I still can’t let it go and totally trust the monitor.” Less than […]