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Prey cinematographer Jeff Cutter

I talked with Jeff Cutter, DP of the new Predator prequel Prey, about dodging bears in the wilds of Calgary, creating the predators’ heat vision and cloaking effects, and reteaming […]

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Frame By Frame – Better Call Saul Season 1 (2015)

Year – 2015 Decade – 2010s Cinematographer – Arthur Albert (imdb link) Distributor – AMC Genre – Television; Drama Aspect Ratio – 1.78 Filming Location – Albuquerque, New Mexico Camera […]

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Marcel the Shell with Shoes On cinematographers Bianca Cline and Eric Adkins

“Filming a character who has to be seven or eight inches from the lens adds a whole bunch of complications.” New interview up for Filmmaker Magazine with Marcel the Shell […]

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Frame By Frame – The Long Hot Summer (1958)

Year – 1958 Decade – 1950s Cinematographer – Joseph LaShelle Director – Martin Ritt Genre – Drama; Romance Distributor – 20th Century Fox Aspect Ratio – 2.35 Lenses – Anamorphic […]

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The Black Phone cinematographer Brett Jutkiewicz

“I actually still use my light meter on everything….Being part of that transition from film to digital, I still can’t let it go and totally trust the monitor.”  Less than […]

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Elvis cinematographer Mandy Walker

New interview for my column at Filmmaker Magazine with Elvis cinematographer Mandy Walker. Shot on Alexa 65, with Panavision Spheros for the pre-Vegas portion of the film and Panavision T-Series […]

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Hustle cinematographer Zak Mulligan

New interview up at Filmmaker Magazine with Hustle DP Zak Mulligan. The Netflix film stars Adam Sandler as a burned out Philadelphia 76ers scout who discovers a raw talent (pro […]