Year – 2022 Decade – 2020s Cinematographer – Brian Burgoyne (imdb) (official site) Director – Jennifer Kaytin Robinson Distributor – Netflix Genre – Comedy; Teen Filming Location – Atlanta, Georgia; […]
Year – 1990 Decade – 1990s Cinematographer – Peter Deming (imdb link) Director – Reginald Hudlin (imdb link) Genre – Comedy; Teen Studio – New Line Aspect Ratio – 1.85 […]
“What’s interesting about Ghostface is that once the character is in the costume, they kind of cease to be themselves and just become Ghostface. We talked a lot about that. […]
Year – 1974 Decade – 1970s Cinematographer – Victor J. Kemper Director – Karel Reisz Genre – Drama Distributor – Paramount Aspect Ratio – 1.85 Format – 35mm with spherical […]
New story for Filmmaker Magazine on Black Panther: Wakanda Forever cinematographer Autumn Durald Arkapaw, who shifted the series to anamorphic glass and large format cameras for the sequel. Check out […]
“We spent a lot of time staring at the clouds and waiting for a bit of soft light and a bit of consistency. My gaffer would shout at me, “I’m […]
Year – 1998 Decade – 1990s Cinematographer – Enrique Chediak Director – Robert Rodriguez Distributor – Dimension; Miramax Genre – Science Fiction; Horror Filming Location – Set in Ohio, but […]
I’ve got a new interview up over at Filmmaker Magazine with DP Peter Deming (Evil Dead II, Mulholland Drive, The Cabin in the Woods, House Party). Check out the full […]
Year – 1957 Decade – 1950s Cinematographer – Robert J. Bronner (imdb link) Director – Richard Thorpe Studio – MGM Genre – Drama; Musical Aspect Ratio – 2.35 Format – […]
“Either it Blows Up or it Doesn’t.” – New interview for my Filmmaker Magazine column with Pearl cinematographer Eliot Rockett Rockett, a longtime Ti West collaborator (X, The Innkeepers, The House […]
Year – 2020 Decade – 2020s Cinematographer – Jo Willems Director – Remi Weekes Studio – Netflix and BBC Films Genre – Horror; Haunted House Aspect Ratio – 2.40 Filming […]
“There needs to be a dominant source, then a secondary source. One light has to win.” Halloween Ends cinematographer Michael Simmonds – who shot all three entires in the latest […]
I talked with Jeff Cutter, DP of the new Predator prequel Prey, about dodging bears in the wilds of Calgary, creating the predators’ heat vision and cloaking effects, and reteaming […]
Year – 2015 Decade – 2010s Cinematographer – Arthur Albert (imdb link) Distributor – AMC Genre – Television; Drama Aspect Ratio – 1.78 Filming Location – Albuquerque, New Mexico Camera […]
“Filming a character who has to be seven or eight inches from the lens adds a whole bunch of complications.” New interview up for Filmmaker Magazine with Marcel the Shell […]
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