New interview up over at Filmmaker Magazine with Dariusz Wolski. After more than 30 years of shooting features – including six for Ridley Scott, four with Gore Verbinski and two […]
New interview up over at Filmmaker Magazine with One Night in Miami cinematographer Tami Reiker (High Art, The Old Guard). Shot on Arri Alexa 65’s and Arri DNA lenses. The […]
I’ve got a new interview up over at Filmmaker Magazine with Wonder Woman 1984 cinematographer Matthew Jensen. The super hero sequel was shot on a multitude of formats, including: 35mm […]
A car interior set-up from David Fincher’s Netflix film Mank, shot on stage with LED screens to provide backgrounds and interactive lighting. Here’s Mank cinematographer Erik Messerschmidt on his approach to […]
Year – 2008 Decade – 2000s Cinematographer – Matthew Libatique (imdb link) Director – Jon Favreau Aspect Ratio – 2.40 Distributor – Paramount; Marvel Genre – Action; Super Hero Cameras […]
Year – 1982 Decade – 1980s Cinematographer – Gerald Feil Director – Steve Miner Aspect Ratio – 2.39 Distributor – Paramount Genre – Horror; Slasher; 3D Format – 35mm Categories […]
Year – 1978 Decade – 1970s Cinematographer – Dean Cundey Director – John Carpenter Aspect Ratio – 2.39 Genre – Horror; Slasher Camera – Panavision Panaflex Lenses – Panavision C-Series anamorphic lenses Format – 35mm; Anamorphic Categories – Title Cards; Two Shots; Vanishing Point […]
Year – 2020 Decade – 2020s Cinematographer – Lol Crawley Director – Antonio Campos Studio – Netflix Aspect Ratio – 2.40 Genre – Drama; Period (1960s) Camera – Arricam LT […]
Year – 1988 Decade – 1980s Cinematographer – Bill Butler Director – Tom Holland Aspect Ratio – 1.85 Distributor – MGM/United Artists Genre – Horror; Slasher Format – 35mm with […]
Year – 1981 Decade – 1980s Cinematographer – Dean Cundey Director: Rick Rosenthal Aspect Ratio: 2.39 Genre: Horror; Slasher Lenses: Anamorphic Format: 35mm Categories: Foreground/Background; Car Shots; Lens Flares; High […]
I’ve got a new interview up over at Filmmaker Magazine with freshly-minted Emmy winner Greig Fraser. The Mandalorian cinematographer walked me through using new StageCraft tech – a greenscreen alternative […]
Year – 2020 Decade – 2020s Cinematographer – Greta Zozula (Instagram) Director – Jonathan Milott and Cary Murnion Aspect Ratio – 2.40 Genre – Horror; Home Invasion Camera – Alexa Mini Lenses – Cooke Anamorphic/i as the main lenses; 45-90mm […]
Year – 1987 Decade – 1980s Cinematographer – Michael Seresin (IMDB link) Director – Alan Parker Aspect Ratio – 1.85 Distributor – Carolco; TriStar Genre – Suspense/Thriller; Horror; Noir; Period (1950s) Lenses – Spherical Format – 35mm Categories – Inserts; Diners; Sidelight; Close-Ups; […]
I came across a collection of hundreds of VHS covers from South Korea on Flickr. Narrowed it down to my 50 favorites below. Check out other VHS collections on the […]
Year – 2020 Decade – 2020s Cinematographers – Armando Salas (Episodes 3-4, 7-10); Ben Kutchins (Episodes 1-2, 6); Manuel Billeter (Episode 5) Directors – Jason Bateman (Episodes 1-2); Cherien Dabis (Episodes 3-4); […]
