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Interviews

Censor cinematographer Annika Summerson

Censor – a 1980s-set, color-drenched horror flick centered around a British ratings board member who sanitizes “video nasties” – hits theaters today and VOD on June 18th. I’ve got an […]

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Mare of Easttown cinematographer Ben Richardson

New post from my Filmmaker Magazine column – a chat with Mare of Easttown cinematographer Ben Richardson (Beasts of the Southern Wild, The Fault in Our Stars, Wind River). Shot […]

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Nobody cinematographer Pawel Pogorzelski

New interview up over at Filmmaker Magazine with Nobody cinematographer Pawel Pogorzelski. Directed by Hardcore Henry stylist Ilya Naishuller, the film inverts the typical “man of violence coaxed back into […]

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Oscar nominated News of the World cinematographer Dariusz Wolski

New interview up over at Filmmaker Magazine with Dariusz Wolski. After more than 30 years of shooting features – including six for Ridley Scott, four with Gore Verbinski and two […]

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One Night in Miami cinematographer Tami Reiker

New interview up over at Filmmaker Magazine with One Night in Miami cinematographer Tami Reiker (High Art, The Old Guard). Shot on Arri Alexa 65’s and Arri DNA lenses. The […]

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Wonder Woman 1984 cinematographer Matthew Jensen on IMAX, practical stunts, and his love of Panavision Primos

I’ve got a new interview up over at Filmmaker Magazine with Wonder Woman 1984 cinematographer Matthew Jensen. The super hero sequel was shot on a multitude of formats, including: 35mm […]

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Mank cinematographer Erik Messerschmidt

A car interior set-up from David Fincher’s Netflix film Mank, shot on stage with LED screens to provide backgrounds and interactive lighting. Here’s Mank cinematographer Erik Messerschmidt on his approach to […]

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Frame By Frame: Halloween (1978)

Year – 1978 Decade – 1970s Cinematographer – Dean Cundey Director – John Carpenter Aspect Ratio – 2.39 Genre – Horror; Slasher Camera – Panavision Panaflex Lenses – Panavision C-Series anamorphic lenses Format – 35mm; Anamorphic Categories – Title Cards; Two Shots; Vanishing Point […]