The Shot Behind the Shot: Get Carter (1971)

In Get Carter, a London gangster (Michael Caine) travels to the industrial berg of Newcastle to investigate the death of his brother. Here’s director Mike Hodges on how he settled on Newcastle:

“As soon as I saw those huge rust-coloured bridges stretching across the Tyne I knew this was (Jack Carter’s) manor. Tough, ruthless and uncompromising. I moved into the city for a week or more and walked its streets looking for locations to use. They came in an abundance. Gentrification was a word unknown in 1969. That said, I had happened upon a city in violent transition. It was a place that somehow captured the cataclysmic rupture slowly happening to British society but not yet visible to most of its inhabitants.”

Set stills from David Lowery’s A Ghost Story

Banner photo courtesy of A Ghost Story cinematographer Andrew Droz Palermo

Put together a few behind the scene pics from A Ghost Story, a rumination on mortality, time, and humanity’s place in the cosmos from writer/director David Lowery (Ain’t Them Bodies Saints, Pete’s Dragon).

Check out this interview I did with the movie’s cinematographer Andrew Droz Palermo for Filmmaker Magazine. I also highly recommend American Cinematographer Magazine’s feature on the film from the August issue.

Tech Info
Aspect Ratio: 1.33
Camera: Arri Alexa Mini (2.8K ProRes, 4:3 mode)
Lenses: Panavision Super Speeds and Ultra Speeds, Panavision Primo Zooms

George Romero’s career in posters

 

Sources

Heritage Auctions
VHS Wasteland
The Wrong Side of the Art
Film on Paper
Turkish Movie Poster

The Posters of Star Wars

 

In commemoration of the 40th anniversary of the original Star Wars’s theatrical release, here’s a look back at the space saga’s history through its posters. Also check out this interesting read from Film School Rejects’s William Dass detailing the stories behind some of these iconic pieces of movie art. Continue Reading ›